February 26, 2020

First and foremost, I would like to thank all who attended my art show at the Vail Public Library during the month of January.  It was so gratifying that I immediately wanted to hang another display and I am currently exploring possibilities.  I feel very fortunate to have such a supportive audience!

Currently, I am working on two pieces.  For a friend, I have painted “Knitters of Provincetown MA,” a work inspired by my good friend, John Crane, who is pictured in the work.  In the process of creating the work, I have sought to capture the bond of friendship shared by the three friends and the passion they feel toward knitting.  I have also sought to apply my understanding of light and shadow and the three-dimensionality of the figures in the painting.  Here is a picture of the painting as it is evolving:

The second piece seeking a place on my easel is a picture entitled “Hovenweep Memories.”  In it, I seek to convey my understanding of how this ancient settlement fit in the arid climate and history of the Four Corners.  While the early denizens of the area carved out their existences, they were also challenged by vast distances that separated their community from others.  Additionally, they were subject to the variations climate change.  They lived in great beauty, however, and their unique structures reveal their attempts to protect themselves from their close exposure to nature.  In the painting, I want the viewer to feel the isolation, the beauty, and they mystery of these ruins.

Plein Air Painting

As I have pursued various avenues of painting, I have found that plein air painting continues to draw my interest and time.  For one thing, plein air painting provides a great excuse to spend a day outside.  While the colors change over time as the sun moves across the sky, the colors also present themselves authentically so that they can be compared to what I see on my pallet.  I can mix the paint, hold up the paintbrush, and say to myself, “Ah, that is the color of the sky!”  

 

It is also interesting to decide on the composition.  As I consider, for instance, how much of the sky to include, I also have to think about what drew me to the location, what story I’m seeking to tell, and how to convey the emotions that I felt that caused me to stop at this one spot and set up my easel.

 

When I was at a ranch near LaVeta, CO this fall, I found a spot that revealed a yellow field of hay that stretched up to a boundary of pine trees and a few cabins, and then dramatically swept up into tall mountains and an ever changing sky.  One of these mountains included a defunct ski resort with trails still visible.  I included the trails in several of my paintings – human sketching on a vast landscape.  To me, the area presented so many ways that nature stands side by side to human intervention.  

Wishing you my best,

Trish Donovan

http://www.tadonovan.com

Welcome!

Greetings! 

This is my first newsletter/blog entry!  My plan is to provide a regular update regarding my painting and the experiences that have inspired me.

Last year in the spring, Lonny and I travelled to Utah, camping in remote spots, hiking up slot canyons, and discovering rare landscapes.  At Surprise Canyon in Capitol Reef National Park, we pulled into a car park and set off on a trail that meandered through dry spring beds, made sharp turns next to narrowly spaced rocks, and unfolded into a spectacular canyon with steep, red sandstone walls.  

This fall - in another slot canyon – in Goblin Valley, I pondered the question:  What makes slot canyons so intriguing?  While painting this picture of Surprise Canyon, I discovered that for me, it is the intrigue of what lies beyond sharp corners and narrow spaces. The hope of revelation beckons us into mysterious places:

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As we hiked toward the entrance to Surprise Canyon, we contemplated the forces of nature that formed it.   We also took note of the trail leading up to it, feeling the shifting sand beneath our feet.  Surprise Canyon had plenty of surprises, including spotting raptors and finding one canyon that lead to another. 

After finishing a small painting from our recent trip to Moab,

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I have moved onto a large figurative work from references/photos I took on a trip to Powell’s Books in Portland, OR.  Here is a piece that currently sits on my easel:

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A lovely woman sits in the coffee shop at the bookstore, absorbed in what she’s seeing on her phone, and is unaware that an onlooker finds her presence compelling. 

Wishing you my best,

Trish Donovan

http://www.tadonovan.com